I grew up in a seaside town on the south coast of the UK spending many Summer holidays on the beach not far from home, to the extent that even though I lived and worked in London for a time, I feel there is something missing when I am not by water , having that sense of space is important for my wellbeing

Wandering with my camera is fan opportunity for me to be curious,

have fun, be playful, in all weathers.

Without going into too much detail here, ( you will read more in my blog posts)

my father affected my upbringing.

Growing up being abused by a person you should trust does have an affect on how you see the world, and how you see yourself

Even though this is not something that should have happened, to me or to anyone, it meant that when Coronavirus happened, I had the time and focus to study trauma, somatics and find answers

In 2016 I was very humbled to have one of my coastal rock images published in the OPOTY (Outdoor Photographer of the Year) book under the category - Waters Edge.

It’s a favourite image of mine, which was taken on a cold but sunny Autumn morning when the tide was out, revealing rock patterns I had not seen before.

Shortly after this I booked a weekend creative workshop with the talented and inspirational photographers and artists,

Doug Chinnery & Paul Kenny.

We had the opportunity to have our work critiqued at the end of weekend, I was surprised that it was popular, and both Doug and Paul suggested that my 2 year project on the Cornish coast could become a book.

After I nervously asked him, Paul very kindly penned the introduction

to my book , Elemental.

His unique work inspired me to look further when I came across his highly recommended book, Seaworks.

His work is like nothing else I have seen, you can find his artwork here on his website:

http://www.paul-kenny.co.uk

Once Elemental was published,

I entered some of my close up images into a new competition.

If you have ever entered a photo competition you go through all the worries, fears, anxieties, comparisons… wondering what the judges will say.

So you can imagine my surprise when I heard that 8 of my images were shortlisted in the first

Close Up Photographer of the Year (CUPOTY) competition.

The shortlist was announced in May 2019 with two of my images selected for the final top 100:

Goldfish - Manmade category

Bude Rocks- Intimate Landcape category.

Bude Rocks was selected to be featured in the CUPOTY article in Autumns edition of Outdoor Photographer 2019.

Then in 2020 having entered CUPOTY for a second year, “Cornish Storm” and “Horizon” were finalists in the Intimate Landscape category

“Towards the Mountain” was awarded second place in the Manmade category.

A simple image taken in the woods of some old rusted metal hidden under

bracken and weeds.

The inspiring list of all the winners and finalists can be seen here:

www.cupoty.com

Time spent with my camera allows me to disconnect from a noisy fast paced world

but then to reconnect to the self,

to navigate the middle…

At a time when we are all acutely aware of

the future of the planet, we can use art in any form to translate our fears, loves, ideas and thoughts..

We all have it in us to be creative and embrace a fear of failure.

To express ourselves through the medium of photography takes courage

and a beginners mind.

To get back to understanding, being kind to ourselves

through listening to our body

Taking photos that we connect to along the way is a bonus

Mel x